sarah dickenson snyder / poem
- Jun 1
- 2 min read
A Small Humanity
We can't stay forever
on the Azores where there are no snakes,
no temptations other than wind
& green. Or on the mainland—
poor Fernando Pessoa died
at forty-seven of a diseased liver
in a hospital where he wrote
his last sentence on a napkin:
Não sei o que o amanhã trará.
(I know not what tomorrow will bring.)
Maybe I should be thinking
of the best last words.
Say them always. Just in case.
Thank you, to everything.
To everyone.
Thank you, millions
of limestone chunks
in the mosaic of sidewalks
in Lisbon. Thank you, dried wild hydrangea
on Sao Miguel Island, the way you hold on
until the next flowers burst
and then your willingness
to fall back into the earth.
When Pessoa wrote,
Hoje é o ponto de encontro
de uma pequena humanidade
que pertence somente a mim
(Today is the meeting place
of a small humanity
that belongs only to me),
was he remembering
when his father died
and he was only five?
The many untetherings
no one would prefer—
the first losses:
umbilical cord,
breasts left, skin on skin.
How we reach for the moon-
shadowed hush, the blink
of a firefly, a drifting parasol.
After years in the classroom, Sarah Dickenson Snyder now carves in stone, sculls on the Connecticut River, and rides her bike. Travel opens her eyes. She has five poetry collections: The Human Contract (2017), Notes from a Nomad (nominated for the Massachusetts Book Awards 2018), With a Polaroid Camera (2019), and Now These Three Remain (nominated for the Massachusetts Book Awards 2023), and To Eve (Nixes Mate Review 2026). Several poems have been nominated for Best of Net and Pushcart Prizes. Work is in Rattle, Verse Daily, and RHINO. sarahdickensonsnyder.com




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