megan merchant / poem
- coatofbirdseditors
- Jun 20
- 2 min read
Updated: Jun 23
Day/Night
“Understand I need these fragments.
To tell it once is not enough.”
-Emily Skaja
Where did you sleep, in what temperature of light?
What words erased when you woke?
*
I can’t stop thinking about the way your sigh pin-tucks
tined edges of dark.
*
I read poems that are like ivory busts of women. Not everything
can be thought through. A declaration of non-existence. I’m here.
*
Outside, cloud tangle. Just enough winter-rain to lose traction. Unsettle.
A fragment is not the same as an erasure. What isn’t said, isn’t yet.
Give me time.
*
A poem wrecks with tender mirrors.
*
I’ve seen the way that fields can mimic the gesture of water in a dry season.
A hidden depth.
Acres of want.
*
I frame you in tin. Tarnished green. How the dead bloom.
What if all that lingers between us are words? A crate of plastic flowers in sun.
*
The stained-glass windows here are faded, let in a solace of light. I whisper enough,
enough, an argument with longing.
*
I am making a map. I hang mirrors on the trees to catch a bent elbow here,
the curve of my neck there.
Each time, pretending. You.
*
What beginning isn’t wild with possibility? Already fraught with its own unbecoming.
*
Already fraught with its own unbecoming. What beginning isn’t wild with possibility?
*
Each time, pretending. You.
I hang mirrors on the trees to catch a bent elbow here, the curve of my neck there.
I am making a map.
*
I whisper enough, enough, an argument with longing. The stained-glass windows
here are faded, let in a solace of light.
*
A crate of plastic flowers in sun. What if all that lingers between us are words?
How the dead bloom. Tarnished green. I frame you in tin.
*
Acres of want.
A hidden depth.
I’ve seen the way that fields can mimic the gesture of water in a dry season.
*
A poem wrecks with tender mirrors.
*
Give me time.
What isn’t said, isn’t yet. A fragment is not the same as an erasure.
Unsettle. Just enough winter-rain to lose traction. Outside, cloud tangle.
*
I’m here. A declaration of non-existence. Not everything can be thought through.
I read poems that are like ivory busts of women.
*
I can’t stop thinking about the way your sigh pin-tucks
tined edges of dark.
*
What words erased when you woke?
Where did you sleep, in what temperature of light?
Megan Merchant (she/her) is the owner of www.shiversong.com and holds an M.F.A. degree from UNLV. She is a visual artist and, most recently, the author of A Slow Indwelling (Harbor Publications) and Hortensia, in winter (Winner of the New American Poetry Prize). She is the Editor of Pirene’s Fountain. https://meganmerchant.wixsite.com/poet
Comments